Consumption of Music Videos

14:29:00 0 Comments

With the ever-growing modern age, music videos are being consumed at a growing rate. Music tracks are also being streamed more and more each year. In 2015 America streamed roughly 135 billion songs, nearly two times more than 2014. However 75 billion of these streams were with video form, cementing music video's place in the market.

The spectacular rise in the popularity of music-video streaming can be attributed to two factors. First, people simply enjoy the whole experience more than plain audio. Second, they can stream an almost unlimited number of music videos through sites like YouTube without having to dig into their pockets. Even those subscriptions services that do offer music videos, such as Apple’s Apple Music and Jay-Z’s Tidal, might have a tough time competing with free even with exclusive content (Apple has Taylor Swift’s 1989, while Tidal has content from owner/artists including Rihanna).

Regarding our own music video, we hope to upload it to YouTube (like most artists) and hope our audience can consume it there.

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Reveiw of Filming

14:31:00 0 Comments

Overall I think the filming went well. We filmed in our respective locations on three different occasions. Firstly we filmed in the abandoned building. The location was perfect for an apocalyptic feel, and emphasised the feel of abandonment. Although it was cold we filmed in under 3 hours, and managed to get the cast to and from the location.

Our next filming day was in Thetford Forrest. This was a considerable time after the first shoot as we had to organise the day through school hours and peoples frees, and also travel. Luckily it worked out well for us as we managed to arrange cars and also a 4 hour slot that everybody could film for. The day went smoothly and we managed to film even though the light began to go later in the day.

Finally our last shoot was in the school basement. This was no doubt the easiest shoot out of the three. Me, Meghan and Charlie managed to film within an hour, mostly because it was on school grounds. We were able to get some old equipment to throw at the wall, along with other props from the basement. Once again this went smoothly, and when re-watched, fit in perfectly with our narrative.

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Script: Final

02:15:00 0 Comments

We made no changes:


Establishing shots.

Leader (L) at the archway.

Strong willed (SW) character walking through her location.

Cuts to SW going to punch her guard and being restrained and taken to work in harsher conditions (outside).

Shots of her working.

Shots of L working.

Shots of intelligent (I) character working.

SW character thinking.

L walking.

Fast paced shots of I fixing things.

Fast paced, close up shots of the guards.

Running montage, flitting between characters.

SW’s guard is knocked out.

Security camera scenes.

SW’s guard is talking to her when she pushes him over and runs away, looking back from a distance.

She approaches the door.

L approaches door.

I working on something, becomes annoyed, throws equipment.

I approaches door

They all exit.

L is talked but pushes the guard down and runs away.

L’s guard leans against a tree, head bleeding.

SW is running, pursued by her guard.

I and his guard fall to the floor, I gets up but the guard remains on the floor.

He slowly wakes and gets up.

Flashback montage, happy memories.

They run to meet each other and embrace.

They turn to face out.

I running, cutting between establishing shots that are empty of the cast but relate to the flashbacks.



SW running, runs through a puddle.

I with a nose bleed.

More of the previously mentioned establishing shots.

Excessive blood.

L running, cuts as per the others.

They look for the guards: 360 shot, with pauses focusing on each reaction.

SW points.

The guards emerge from the trees running: all angles.

Shot of SW pointing from a different angle.

Repeats of the happy flashbacks, but different moments.




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Final Location

14:30:00 0 Comments

Finally we decided to visit Pontins after attemping to contact the owners of the site. Unfortunately we were sent away by a site manager telling us it was unsafe to enter, even the outsides of the camp.

After attempting to use the holiday camp Pontins in Great Yarmouth, I found out there was an abandoned building close by near the train station.




The location was a perfect last minute fit for us, as our cast were unable to film in the next few weeks. The old shipping yard had an old abandoned building as well as left over construction resources which added to the atmosphere. The location was also surrounded by overgrown foliage, which again set the idea of humanity's abandonment. 

Our next final location was Thetford Forest, a location which we planned to use from the start. 



The dense forest was perfect for our running scenes and also created a sense of mystery throughout the music video. The light was patchy at times but overall it worked well with our narrative and can easily be used in our video, either as raw footage or as an edited version in After Effects.

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Vlog #1

05:20:00 0 Comments

This is our first video diary discussing our idea so far and updates on locations and cast. We talk about the issues with our cast and how we are attempting to overcome the situation.

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Final Characters and Cast

15:27:00 0 Comments

Whilst we remained with the same characters as initially decided upon, we dramatically changed our casting as we were unable to arrange for actors from Sandra Reynolds. The actor playing the strong willed character is Zoë Desgland. We chose Zoë as, being an A Level drama student, she'd had previous experience performing to an audience and in front of a camera as all of their exams are filmed. She would therefore also have a good critical understanding of her role, and we needed someone who could adapt their characterisation to suit any idiosyncrasies we wanted them to fit in. Thinking of the costume of Zoë's character, we wanted her to wear dark colours, and dress very practically, as this illustrates her determined and "tough" character.

We chose Charlie Frazer to play the role of our intelligent character due to him also having acting experience. He, also, is currently doing a drama A-Level and has recently starred as the leading role in The Maddermarket's George's Marvellous Medicine, therefore he will be used to following a script and direction and will have the versatility needed to play any given role. In the interview, he came across as confident, calm and quite willing which we found very important as we needed him to play the role convincingly under time constraints and the pressure of performing in front of a camera with the rest of the cast as onlookers. In regards to costume for Charlie's character we wanted his clothing to hold connotations of intelligence and be able to convey this in the short frames of time the audience would see him, so we decided in particular that in semiotic terms glasses were a feature we definitely wanted to use.

We then had issues surrounding the casting of the leader, finding it essential to have someone with prior acting experience. The only other drama students in our school other than the afore mentioned Zoë and Charlie, are Abigail Lewis and myself (Meghan Kelly), and because of Abigail having issues with attending filming due to prior commitments with dance, we decided I would have to play the role. However, given I also am doing a drama A-Level, and have experience with LAMDA grades it did mean I would be comfortable performing, and I would undoubtedly have an understanding of the role being part of the creative process. The costume of this character, we wanted to be a middle ground of the two others, with a practical approach to the way they dress, but displaying a lighter side with literally lighter clothing.

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Location

05:18:00 0 Comments

For our film we plan to film in roughly two locations, one a forest/woodland area, and another in a rundown building (preferably abandoned). For the forest type area we plan to film at Thetford Forest which is fairly local, and has an open meadow type area we can film the last shots.


Our second location consists of an abandoned building. Naturally this is more difficult to find but we managed to find Sovereign House based in Anglia Square. Built in the late 1960's the building used to be a HM Stationary Office before being written for demolishment in 2012.

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Setting Research

04:00:00 0 Comments

In works of narrative (especially fictional), the setting includes both the time and geographic location in which the story takes place. A literary element, the setting helps initiate the main backdrop and mood for a story.

Setting is an important element in a narrative and in some works the setting becomes a character itself. The term setting is often used to refer to the social milieu in which the events of a novel occur and novelist Donna Levin has described how this social milieu shapes the characters’ values. The elements of the story setting include the passage of time, which may be static in some stories or dynamic in others with, for example, changing seasons.

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Script: First Draft

06:30:00 0 Comments


Establishing shots.

Leader (L) at the archway.

Strong willed (SW) character walking through her location.

Cuts to SW going to punch her guard and being restrained and taken to work in harsher conditions (outside).

Shots of her working.

Shots of L working.

Shots of intelligent (I) character working.

SW character thinking.

L walking.

Fast paced shots of I fixing things.

Fast paced, close up shots of the guards.

Running montage, flitting between characters.

SW’s guard is knocked out.

Security camera scenes.

SW’s guard is talking to her when she pushes him over and runs away, looking back from a distance.

She approaches the door.

L approaches door.

I working on something, becomes annoyed, throws equipment.

I approaches door

They all exit.

L is talked but pushes the guard down and runs away.

L’s guard leans against a tree, head bleeding.

SW is running, pursued by her guard.

I and his guard fall to the floor, I gets up but the guard remains on the floor.

He slowly wakes and gets up.

Flashback montage, happy memories.

They run to meet each other and embrace.

They turn to face out.

I running, cutting between establishing shots that are empty of the cast but relate to the flashbacks.
SW running, runs through a puddle.

I with a nose bleed.

More of the previously mentioned establishing shots.

Excessive blood.

L running, cuts as per the others.

They look for the guards: 360 shot, with pauses focusing on each reaction.

SW points.

The guards emerge from the trees running: all angles.

Shot of SW pointing from a different angle.

Repeats of the happy flashbacks, but different moments.




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Timings

05:19:00 0 Comments

To match our storyboard we created a list of times that synced with the song and the length of 3 minutes 27 seconds long.

0-23 seconds -> establishing shots (ref Rashimon)
23-45 seconds -> characters taken away (change character on beat)
45-1:01 seconds -> in their respective locations (interrogation)
1:01-1:21 seconds -> running (cuts between the beat)
1:21-1:40 seconds -> planning escapes
1:40-1:58 seconds -> escape (split screen)
1:58-2:17 seconds -> running
2:17-2:37 seconds -> slowmo flashback
2:37-2:55 seconds -> running
2:55-3:15 seconds -> out of forest (cut on 'na's)
3:15-3:24 seconds -> trio meet and face back to back
3:24-3:27 seconds -> wide shot of guards running towards them (ends on cliffhanger)

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Storyboard

05:16:00 0 Comments

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Student Music Videos

04:18:00 0 Comments

Canopy Climbers - Stuck

https://youtu.be/mkJXibuJYF0

Firstly the time lapse is incredibly effective in both the narrative and setting the scene. The narrative is unique and well shot, along with the various camera angles and effects. It's clear there was a lot of time gone into this video, seen by the lighting and effects. The miming for example is set in a room with a lamp, emphasised by the time of day, allows us to learn about the narrative and story line behind the lyrics. The cross cutting to the miming from the character significant as it allows you to follow the story as well as feel the emotion and mood of the character.


Tove Lo - Habitats

https://youtu.be/C77ZJj1tkVs

Firstly the music video is already effective by the use of time lapse and the location of London. Clearly the narrative is based on city life, and the hardships of a relationship in this setting. The mixture of shots really highlights the struggles of the character, and the ongoing narrative. When lip syncing I felt the actor was a little off a times, and would not constantly look at the camera, however this is personal preference. Also the editing of the footage with the beat of the music makes it more effective, and something we wish to try in our own video.


Labrinth - Express Yourself

https://youtu.be/llYZ0l3cEEA


First off the narrative is defiantly unique and snappy. I found it a little difficult to follow at first, however got the flow as the video went on. The use of location is bold and completes the narrative, helping the audience connect with both main characters. The editing is also clever, as we get various silhouettes of the second character, along with various lyrics.


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One Minute Section of a Music Video

02:00:00 0 Comments


Hayley Kiyoko - Gravel to Tempo (0:00 - 1:00)

https://youtu.be/XOm2rGwmhWg

Within this one minute, it's clear to see the video is well thought out and has a unique narrative. Firstly we are introduced to our main character (played by Kiyoko herself) who is miming the lyrics as she enters the school. We are also introduced to a 'popular' group of girls, who seem to be the antagonists of the video. This goes against conventions of your typical music video as the main character is female, along with the antagonists, which is rare.

Next the setting is an American school, which is fairly common in music videos. The setting is light and filled with various props of a typical school, adding to the realism.

We also get various camera angles, such as close ups, pans and tracking shots. These are typical in most music videos as it gives variety for the audience, and different ways the music video can be filmed. The close ups mainly focus on the characters when introducing them to the audience, again typical in most videos.

Finally the clip conforms to the character miming along to the lyrics, something which various artists use in their work. It gives a sense of realism but also can be used to break the fourth wall.

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Success in Music Videos

01:30:00 0 Comments

What constitutes "success" for a particular media text in music videos?

https://www.google.co.uk/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0ahUKEwiUjcLOhabSAhWjF8AKHZhwCX0Q3ywIHjAA&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DhG6oy46qKE4&usg=AFQjCNGg8GIzPtDwv1exvgL0VaeM9UL4mA&sig2=R8bg9b-MXyshXqG27pBOWQ

The music video Thriller, Michael Jackson, is successful due to the intriguing exposition at the beginning, thereby drawing the audience in and making them more attached to the characters. It is an original concept, that comes as an unexpected twist. The plot complements the music as when the suspense is at it's highest the chorus begins, and the dance of which has become iconic. So, in order to be successful, the video had to be interesting, original, and the narrative had to suit the song.

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Auditions

01:00:00 0 Comments

https://youtu.be/mlVbzY5oyu4

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Character Research

05:16:00 0 Comments

The particular combination of qualities in a person or place that makes them different from others.

In a work of fiction, one character is typically the central focus of the story. This person is called a protagonist while the character who opposes the actions of the protagonist is the antagonist. Characterisation is the process of how the author presents the character in order to make them seem real to the reader.

Characters are an important element in short stories because they drive the story as a whole. The types of characters that are involved in a story create different types of conflicts and tensions as well as different types of resolutions.

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Initial Character and Casting Ideas

05:15:00 0 Comments

For our cast we originally planned to hire the three main actors from the Sandra Reynolds website (http://www.sandrareynolds.co.uk/). We picked out three actors who resembled our fictional characters we created, and how they matched our original visions:

Character One: The Leader


We wanted this character as we feel they would contribute to the development of the other characters by acting as a controlled figure, and a combination of the two extremes of the other characters.

Character Two: Strong Willed


We wanted to have two characters other than the "leader" who would have more extreme characteristics. We wanted to have a strong willed character would challenge the antagonists, and catalyse the conflict whilst being an interesting character themselves.

Chapter Three: Intelligence/Clever


We wanted to have an intelligent character who would appear quite clumsy and awkward to give balance to the group.

However, we decided against this due to difficulty finding actors that both suited our roles, and were able to travel to the locations without problem.

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Initial Ideas

05:14:00 0 Comments

Once deciding our song choice, we noted down some ideas that we created after analysing the lyrics.

Multiple people (tight-knit friend group/ family)
Dystopian
Forrest
Separate story lines- multiple POV
Shows what they're doing in different  locations
Slow motion flashback in the bridge- picnic in meadow/ memory (something peaceful)
Trying to get to the place the memory takes place in
Cuts before they reach each other- ambiguous ending
Audience decides what happened to the world

Characters-
The clever one- male- avoids being seen (uses watch and peoples schedules)- trips, limping
The tough one- female- fights their way out- injured
The leader- female- steals lanyard/ key card out- most pursuers

Storylines-
Whole group-
Reason for separation- forced due to a military evacuation
Where their lost- different elements
Interview situation- different desks

We came to these thoughts as when listening to the song for the first time we decided that it fitted perfectly with a dystopian scenario with the juxtaposing lyrics and tune, with changes in pace that would suit a narrative that switched between action and plot, and were very keen to use this concept as whilst the genre has become very popular in film it is uncommon to see it used in music videos.






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Footage

05:14:00 0 Comments


When deciding upon the structure of our music video, in regards to footage, we had three options open to us:



-          Lip synced, live performance

-          Narrative

-          A mixture of both options



All of which have their own advantages and disadvantages that we considered.

Live performance:

Using live performance is a good way of introducing the band/ singer to their audience and aiding marketing and more people will know what the band/ singer looks like. This is also a cheaper and quicker option as, in theory, no props are needed, only the band/ singer and their instruments. However, there is the issue of timing the lip syncing correctly and the playing of any instruments to the recorded song. Failure to have the band/ singer playing/ singing in unison can make the video look unprofessional and rushed.



Narrative:

The use of narrative in a music video can help convey the intentions behind the lyrics and make the song more memorable by bring the story to life and creating a more dynamic video. However, it can mean that the song is more linked to the story than the band/ singer therefore making it a bad choice in terms of marketing and advertisement; yet there are ways of combating this via a strong presence on social media and possibly the band/ singer acting in the video (although the latter is not possible in this instance).



A mixture of the both:

Combining both is the most common of choices, as it holds both the positives of live performance and narrative. However, it could be argued that the narrative being broken up in this manner negates the immersive nature of purely narrative music videos.



Based on this, and our initial ideas, we decided the best method of dividing our footage was to focus solely on a narrative. This is due to the fact we wanted the video to be captivating and dramatic, and felt that the lack of limitations that comes with fictional stories would allow for this, and enable us to create an original music video.

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Song Choice

05:06:00 0 Comments

Song choice is a vital element in creating a music video as both of us had to be excited by the song prospects enough to be able to create an original music video that fulfilled the standards we have for our final product.To decide on a song Meghan and I decided to list some songs each, and then eliminate them together. Listed below are the original songs we listed before the final one was chosen:

1. What’s up? - 4 Non Blondes

2. This is Gospel - Panic! At The Disco

3. Gravel to Tempo - Hayley Kiyoko

4. Bittersweet Symphony - The Verve

5. Migraine - Twenty One Pilots

6. All These Things I've Done - The Killers

7. The Kids Aren't Alright - Fall Out Boy

8. Smile - Mikky Ekko

We whittled down our options by considering the genre of music we wanted. We first decided that we wanted a modern song, thereby reducing our list to the following:

1. This is Gospel - Panic! At The Disco

2. Gravel to Tempo - Hayley Kiyoko

3. Migraine - Twenty One Pilots

4. The Kids Aren't Alright - Fall Out Boy

5. Smile - Mikky Ekko

And then decided we wanted an alternative song as we wanted the structure that comes with most pop songs (with a strong chorus and calmer verses), but with a focus on the lyrics that we felt was more present in alternative music.

This made our list much more concise and, finally, we chose from the following songs:

1. Gravel to Tempo - Hayley Kiyoko

2. Migraine - Twenty One Pilots

3. Smile - Mikky Ekko

We decided against Gravel to Tempo as, having watched the music video, the narrative was too similar to that of which we were considering for the song, and we didn't feel as if we could interpret the song any differently. We then eliminated Migraine as we decided we couldn't adequately and appropriately cover the topic the song discusses.

Due to this we decided Smile, by Mikky Ekko was the best choice. The structure of the song and the fast paced chorus complements the ideas we have for a narrative, the lyrics are quite ambiguous in their intentions leaving it up to us to find our own interpretation, and we felt that the idea we have for it is an original and creative one.

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Music Video Research

05:00:00 0 Comments

To create our own music video we needed to find some inspiration. Below are music videos listed that we found inspiration from for our own version.


Mikky Ekko - Smile:

https://youtu.be/e0RFirBWQsE

From the original video we were inspired by the setting and use of camera angles. Because this is the original video for our song, we're trying to deviate from the video as much as possible, but still maintain a similar connection.

Panic! At The Disco - LA Devotee:

https://youtu.be/r5dNcKTcnPA

Like before, we were heavily inspired by the setting and use of montages throughout the video. Also the narrative is similar to ours, following a young boy who's seemingly been kidnapped by a group of individuals. The fast paced montages is something we'd like to create in ours, but instead it would be them running instead of related imagery.

Imagine Dragons - Radioactive:

https://youtu.be/ktvTqknDobU

What drew our attention to this video was the underground setting and use of camera angles. The dark setting mixed with the artificial lights is something we'd like to achieve in our own video, especially when they get captured.





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Narrative Research

03:47:00 0 Comments

A narrative or story is any report of connected events, real or imaginary, presented in a sequence of written or spoken words, and/or still or moving images.

Narrative can be organised in a number of thematic and/or formal categories: non-fiction (such as definitively including creative non-fiction, biography, journalism, transcript poetry, and historiography); fictionalisation of historical events (such as anecdote, myth, legend, and historical fiction); and fiction proper (such as literature in prose and sometimes poetry, such as short stories, novels, and narrative poems and songs, and imaginary narratives as portrayed in other textual forms, games, or live or recorded performances).

Narrative music videos are those that tell a story. There are many different ways a story can be told in a music video. A narrative can be edited alongside the performance of the artist so that the video cuts back and forth between elements of performance and narrative. Sometimes the artist can be involved in the narrative in some way and can even be lip synching as they act in the narrative. In other examples the artist can be performing in the same location as the narrative is occurring. Having a narrative generally means there is a clear beginning, middle and end but sometimes narratives can be a bit more abstract and actually the narrative progresses very little from the start to the finish.

Narrative music videos are those that tell a story. There are many different ways a story can be told in a music video. A narrative can be edited alongside the performance of the artist so that the video cuts back and forth between elements of performance and narrative. Sometimes the artist can be involved in the narrative in some way and can even be lip syncing as they act in the narrative. In other examples the artist can be performing in the same location as the narrative is occurring. Having a narrative generally means there is a clear beginning, middle and end but sometimes narratives can be a bit more abstract and actually the narrative progresses very little from the start to the finish.


Theorists:

Vladimir Propp broke up fairy tales into sections. Through these sections he was able to define the tale into a series of sequences that occurred within the Russian fairy tale. Usually there is an initial situation, after which the tale usually takes the following 31 functions. Vladimir Propp used this method to decipher Russian folklore and fairy tales. First of all, there seems to be at least two distinct types of structural analysis in folklore. 

Todorov in 1969 produced a theory which he believed to be able to be applied to any film. He believed that all films followed the same narrative pattern. They all went through stages called the equilibrium, disequilibrium, acknowledgement, solving and again equilibrium.
There are five stages the narrative can progress through:
1. A state of equilibrium (All is as it should be.)
2. A disruption of that order by an event.
3. A recognition that the disorder has occurred.
4. An attempt to repair the damage of the disruption.
5. A return or restoration of a NEW equilibrium


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History of Music Videos

03:44:00 0 Comments

Back in the 1960s, few acts recorded music videos. There was no MTV, and in an age of endless touring, artists couldn’t often make it to TV studios to perform. Having flirted with the idea of promotional films for their songs lifted from the movies, A Hard Day’s Night and Help!, The Beatles later recorded a series of promotional films for their singles after giving up touring in 1966.

While “I Am The Walrus” might be the most well-known Beatles “video” from this time, it’s the “Strawberry Fields Forever” promo film that is most important, featuring reverse, slow motion, fades, camera filters and slow mixes, and a collection of unusual, slightly imposing camera angles.

Queen’s revolution of the music video, an experiment that the band repeated again and again with some fascinating results (such as “Radio Gaga” and “Innuendo”) kick-started a new aspect to the music industry, one that spawned the world’s most famous TV channel and the most famous video of all, Michael Jackson’s “Thriller”.

Although MTV now shies away from its former role – partly out of pretensions of legitimacy as a producer of TV shows, and partly because its owners fear the competition of YouTube – it will forever be synonymous with the pop music scene of the 1980s and 1990s.

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A2 Breif

02:00:00 0 Comments


For our A2 level, the media brief was to complete a short, two minute film opening scene of a genre of our choice after completing the preliminary tasks. We now have a separate and different brief for our A2 coursework. So far, we know that we will have to create (from our choice) either a music video for the entire length of the song, or the creation of a five minute long short film with a linear narrative.  Here is the official brief as given to us:

A2 coursework briefs

A promotion package for the release of an album, to include a music promo video, together with the two following ancillary tasks:

- a digipak for the albums release;
- a magazine advertisement for the digipak.



or...



A short film in its entirety, lasting approximately five minutes, which may be live action or animated or a combination of both, together with the following two ancillary tasks:

- a poster for the film;
- a film magazine review page featuring the film.

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Evaluation

01:49:00 0 Comments


Evaluation questions:

1) What ways does your media product use, develop or challenge the forms and conventions of real media products?

Our preliminary music video that we have completed does develop, conform and challenge the conventions of real life media products that we have studied. One of the pivotal ways that we developed the use of digital technology was in the filming and production process of the music video itself. This was done with our varied use of camera angles and shots established. Developing from our A/S music videos, we used a varied amount of camera angles to portray the linear narrative needed for our music video. These included, shot reverse shots, 360 angles shots, pan, close ups, tracking shots that we all developed and intertwined into this preliminary task from our separate pieces of coursework previously. The use of these shots enable our task to be portrayed within a much more professional light. As research showed from professional music videos, a varied amount of shots are used within each scene. Shots like a pan and a 360 shots also add an intense feel and interest into the storyline we aim to portray to the audience. If we had just lengthened a shot without any close up effect, it would have left a gaping hole between the interaction of the music video and the audience too. Once we had filmed these shots, we used professional programmes such as Adobe Premiere pro and After Effects to tint our music video and add some effects, Such as light intensity. This would lead a professional outcome with our knowledge gained from previous filming to create an on par music video for a good experience for our target audience. Overall, a professional outcome with a clear narrative within the filming will be more thoroughly engaging towards our targeted audience, but also develop our knowledge for our upcoming filming tasks. 
Furthermore, for our editing we developed the conventions of real media products via the use of professional programmes such as Adobe Premiere Pro and After effects respectively. Via the use of products that are widely used within the professional media industry, we could create a music video to the best of our quality. Without these products, our video would not have been abel to achieve the high standard that we would have liked.

Ways in which our media product develops the conventions of other media products:
- A typical male and female romance by a constructed linear narrative. With memories and classical equilibriums.
-  Use of professional cameras, software products that would widely be used in the media industry.
- A male and female protagonist characters with a stereotype of falling in love.
- Rebel behaviour/attitude for the greater good.
- Use of bright colours throughout alongside the narrative.

Ways in which our preliminary task challenges the conventions of other media products:
- Use of only one location throughout the filming. (General).
-Use of male and female protagonist characters on the same level of equality, becoming more appealing to a vast range of audience targeted. Thus retracting the patriarchal stereotype.

2) How effective is the combination of your main product(video)
and ancillary text(CD cover)?


I think via the use of the video and CD cover as a cartooned photo of our location is a pivotal link between our video and CD. First of all the photo that we had taken and used is able to be used as a classical microcosm. In cooperation with our love story as a linear narrative, the river can be reflective of the journey taken by these two protagonists onto their endings. Whereas the tunnel can symbolise the objects and problems they have to overcome in life (such as society) to get to the status of where they belong. Furthermore, the peace and tranquillity of the novel leads a link to the end of the music video and thus as a result, creates a clear and simple link between the CD cover, narrative and setting to the audience. As a result, there would be no complexity to the audience about the storyline to the audience, thus not leaving them disillusioned between the music video. This clear link would be vital for the popularity and the professionalism of our preliminary task, thus effective to the success of our preliminary music task. This link can be conformed and thoroughly developed throughout the process of our music video to create it to the best of our ability.

3) What have you learnt from your audience feedback?

Overall, the feedback received about video was positive. However like all of our videos, there was always be room for improvement. The overall negative feedback was regarding the genre of the music video. Thus meaning we had to create an engaging music video to the audience that was entertaining and up to their expectations through the media product. To evaluate our product we emailed certain people who would then praise and criticise our video. Mr Cole also commentated on our video during the editing process. The positive feedback we received was that o the use of one setting. It allowed the
audience to follow a journey with the simplicity of one location, thus leaving a clear linear narrative that was distinctive to the audience. Alongside the use of unique camera shots of the 360 shot and the pan, the logo and credits added a professional tint to our music video. However, as well as the positive aspects of the task, Mr Cole stated we could have improved the transitions and cleanliness still of the narrative and used focuses such as the pull focus, these stuff we will take on board for our next tasks we have to complete. Furthermore, a process called music syncing could have been used, alongside the use of our timings, this would have allowed us to hand pick what segments and scenes we wanted to use at specific times to create an even more fluent narrative. However, this was only a minor flaw and the general consensus was one of enjoyment and engagement by the audience. As well as the feedback, we were also able to incorporate our stimulus' into the video. This was a scene by a river luckily enough and to completely film outside- this received positive feedback.

4)How did you use media technologies in the construction and research, planning and evaluation stages?

Construction and research:

This was the stage where we predominantly used many media technologies to create the preliminary video itself. Especially in our lessons and outer research, we had to use the internet frequently for our location research. With our stimulus of completing a scene at a beach or a river, our research was simplified, however if it wasn't for the internet, our choice of beaches/rivers we wanted use could not be specified to the extent we wanted without the internet. As a result of this, the use of media technologies allowed a significant decrease in the time aspect of our research thus allowing us to complete our preliminary more quickly and efficiently. Furthermore, we also had to use a varied range of media technologies (smartphones etc.) once location scouting and especially for our continued blog posts on blogger. Once we had taken photos for our retrospective blog posts, we could use media technologies to upload these to our blog sites. This reduced the complexity of the organisation of our preliminary task and allowed it to flow thoroughly so that once again our efficiency was increased. 

Planning:

This stage required a significantly less amount of media technology use. The stroyboards that we have completed we all done on paper. However, we still had to use social media to upload these to our blog within media technology. Furthermore, we did use social media to compete our organisation process of casting. This allowed us via facebook messenger to organise the availability of our cast and make sure everything was in the right place at the right time. Also on media technology of our smartphone we completed a checklist and video diary of our planning. This allowed us to to keep tabs on what we needed to bring and if there was any restraints on filming while still uploading it to our blogger site.

Evaluation:

This stage once again required more frequent use of media technologies. The whole evaluation process that we have completed has been revolved around social media since the filming was completed. All of our questions used media technologies to once again upload it to blogger, thus allowing a smooth overall plan of our whole preliminary task completed. Furthermore, a new media technology of youtube was used. This allowed us to upload our video to the media sphere and allowed us to receive any relevant feedback on the video we have completed.  Finally, we also used mobile phones and social media to receive relevant feedback on our video. This allowed us to re create any aspects of the preliminary task that was not up to the standard quickly and over the summer holidays without having to prolong it into the new term.

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Shooting Schedule

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Shooting schedule-

We also had to propose a shooting schedule for our filming we had to complete. This shooting schedule will also include the cancelled day as it was originally planned before then.

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Final Location

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Final location-

As a result of our stimulus and events that occurred, we had to change our location from Cromer to a river. In the end, we settled on using the river Tiffey near the Wymondham Abbey as our protagonist location. This would be able to allow us to captivate the linear narrative that we want to portray but also link closely back to the song, especially lyrics wise within the song. The subdued nature of the place surrounding allows us to link within the tempo well and also produces the clear narrative that we want to achieve.  Here are some images that we took of the final locations that we used and some preview video footage of the locations used.

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Final Cast

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Final cast-

After we completed our casting auditions, we decided on the cast that would play our two protagonist roles and the backup roles in our music video. This was constantly having to be changed due to availability factors of the actors and outside factors. But in the end, we have been able to get a complete set of protagonist actors to take part in our music video. Here is our final cast and the roles that they will complete:

CHARLIE FRAZER: protagonist male character. Charlie has been interviewed and we have decided that he will play the leading male character. Charlie fits in well with the stereotypical loved up teenage boy that we are aiming to portray. The conditions of the character will suit Charlie well alongside the genre of the song too. Being a drama student, he performs well in front of people and this is no similar to what he has acted in media studies. He has taken part in media videos like this before and was willing to do so again, thus he fitted the bill for the perfect candidate for this role.

ZOE DESGLAND: protagonist female character. This role was more complicated as we originally had two other people lined up for this specific role. However this could not happen for those two people due to unavailability and illness. Zoe has kindly stepped into this role and is a more than able deputy, once again fitting the bill for the perfect candidate to Charlie and has a very similar profile to him.

Both of these characters will occur solely within our linear narrative, thus as a result they will appear on camera and aid us within making specified camera angles for our preliminary music video. We are very thankful that they are helping us within the production of our music video.

Two other people, Tom Coath and Meghan Kelly will be secondary characters in this music video. They will appear on camera less often but will still play a pivotal role in providing a significant linear narrative to our audience within the video itself. We will not be needing any further cast members for our music video.

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Auditions

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Auditions-

Here is our casting auditions page that we undertook whilst completing our preliminary task. We chose quite a few actors and asked them a certain amount of questions to see if they were compatible with playing our allocated parts in the music video. Here are some of the questioned we proposed to the cast members. After we proposed these questions, we asked four candidates the questions to see if they were fit to play these protagonist parts that we wanted. From this, we gathered our two protagonist candidates: Zoe Desgland and Charlie Frazer.


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Final Plot Ideas

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The fundamental basis of the plot is the relationship between the two protagonists. They come from two very different backgrounds, and are separated as a consequence of this. The content of the video shows them decide to fight against their families, and be together.


We have created a storyboard of this (see ‘Final Storyboard’).

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Final Storyboard

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Video Analysis

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The song we have chosen for our preliminary task is ‘Hold Back the River’, by James Bay, the genre for which is Indie Rock. So, in preparation we have analysed various music videos within this genre.



The Killers, ‘Mr Brightside’:

Good or bad?                                                      

This video was completed by the band The Killers. The aspect that makes this video successful is the use of cutaway shots between the narrative and the band performance itself. The narrative in its own right is a linear narrative, which, when combined with the alienating cutaways, could be considered unique within a music video, particularly when more modern music video narratives are becoming less and less linear. The use of quick cuts draws the audience in and encourages their involvement with the love story and complements the fast pace (which in itself makes us more inclined to carry on watching the music video). The video works successfully alongside the music and attempts to play on the emotional attachments of the audience via the sympathetic linear narrative.
Original?

This music video could be considered to have both commonly used and original aspects. The linear narrative and love story could be considered unoriginal due to a high percentage of music videos adopting this structure and plot. However, the costumes and themes used are very unique to the video, with contrasting bright and garish colours juxtaposing the melancholy plot depicted; as opposed to other music videos of this narrative, which have used darkened locations and costumes, and have carefully constructed their Mise-en-scene in order to reflect this. Overall, I think the music video and the impression it leaves is unique and original.
Does it engage with the audience?

It does engage with the audience, as the use of a contrasting Mise-en-scene and narrative; fast paced jump cuts allows it to keep up with the tempo of an indie rock music video, and therefore engages the audience.


Keane, ‘Somewhere Only We Know’:

Good or bad?

The majority of the video focused on the band performance itself, however there was a small amount of linier narrative of the band’s journey to where they were at the time of the video (a particularly high point in their career). Due to the use of predominantly medium shots, it felt like there was little engagement within the music video itself to the audience without a strong narrative composed alongside the band’s performance. However, the use of animation within the live action footage is extremely unique, thus leaving the audience intrigued. This is emphasized by the use of Chiaroscuro lighting towards the end, which leaves a mysterious atmosphere and immerses within the scene itself, which compliments the song’s tempo and the lyrics themselves.
Original?

The use of just performance of the band can be classed as unoriginal, however via its use of animation and Chiaroscuro lighting with a multiple extreme settings to emphasize the otherwise minor plot detailing the band’s success does add to the originality. However, I think without a more prominent narrative, this particular music video fails to stand out from the rest.


Does it engage with the audience?

Overall, I think it engages more with avid band followers, due to the primary focus on the band’s performance without a prominent narrative (which therefore shows the benefits of such a structure).

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Location

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Another pivotal aspect of our preliminary task is our locations. Due to our conditions, we would have to film outside and with a scene on the beach. As a result of this, it narrowed down our location ideas drastically to a niche range. Here is some ideas of locations we are considering to use:




Location idea 1: CROMER BEACH AND TOWN.

Due to our conditions, Cromer is seeming to be the perfect location for filming. As a result of our plot (see in plot ideas post), Cromer can be considered to have all that we want. With the preferred weather conditions that we want on the day, the idyllic variation of geography of the town with the beach and the pier allows for our beach scene to be fulfilled. Yet we can also film alternate scenes on the same day as well so it would be efficient too.
Via the song we have used, the location fits in perfectly to the tempo and mood of the song especially and with this location as our primary choice, a very good preliminary task could be produced.

Location idea 2: WAXHAM BEACH.

This is another location that we are considering to use due to our condition of a scene on the beach- which all our locations will involve- is waxham beach. This is a well known location, however the sparse area that surrounds it is a severe hindrance. As a result, this our second choice due to the difficulty of the location. Furthermore, with the plot ideas that we have obtained, the sparse location of waxham beach does not work well and as we want to do the filming to be completed within one day, this would prove difficult with this location especially, and thus it is our obvious second choice.


Location idea 3: GREAT YARMOUTH

Yarmouth is another one of our considered locations that we are going to use. Our group considers this to be considered closely to Cromer location accessibility wise. It also has the two contrasting locations we are looking for to film in our plot too. However, due to the North Norfolk atmosphere that Cromer portrays as a market town with woodland around it is still our first choice.


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Casting Ideas

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For our casting we decided upon some requirements for our two protagonists; we want them to be people who have had experience in acting as, with a music video, all they will have to be capable of demonstrating emotions and conveying thoughts without the need for speech. We also want them to have had experience specifically in front of a camera, as whether or not they have acting experience, if they are uncomfortable on camera they will neither enjoy the experience, nor be able to act to their best abilities when we film. If possible (although it was decided that this is not a priority), we hope to find a real couple, as this would add to the realism and ensure the two actors are able to comfortably show affection to one another.

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Lyrical Annalysis

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Tried to keep you close to me
But life got in between
Tried to square not being there
But think that I should have been


Hold back the river, let me look in your eyes
Hold back the river, so I
Can stop for a minute and see where you hide
Hold back the river, hold back

Once upon a different life
We rode our bikes into the sky
But now we call against the tide
Those distant days are flashing by

Hold back the river, let me look in your eyes
Hold back the river, so I
Can stop for a minute and be by your side
Hold back the river, hold back

Hold back the river, let me look in your eyes
Hold back the river, so I
Can stop for a minute and see where you hide
Hold back the river, hold back

Hold oho, oho
Oho, oho

Lonely water, lonely water, won't you let us wander
Let us hold each other
Lonely water, lonely water, won't you let us wander
Let us hold each other

Hold back the river, let me look in your eyes
Hold back the river, so I
Can stop for a minute and be by your side
Hold back the river, hold back

Hold back the river, let me look in your eyes
Hold back the river, so I
Can stop for a minute and be by your side
Hold back the river, hold

Lonely water, lonely water, won't you let us wander
Let us hold each other
Lonely water, lonely water, won't you let us wander
Let us hold each other

How does the lyrics, tempo and genre of the song effect our ideas for the video?

The lyrics of the song are repeated, therefore giving us a strong structure to follow. With images used within the song of water and rivers, it allowed us justification of
our idea the video at the beach and the romantic subtext led to the idea of the plot being a love story. The main influence over our ideas was ,in fact, the tempo of the song. This song has a varied pace. The start of the song it is extremely slow, which contrasts the fast chorus. This inspired us to have a plot of varying levels of action so we can have corresponding scenes and music. For example, a high tempo section of music could require a running scene.



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Format

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Within the bracket of music videos, it is often seen that either one of or both narrative and live performance are used. We have opted to focus solely on a narrative idea, as we felt like the story we’ve interpreted from the lyrics would be most effective without the alienation cuts to live performance would create. It would allow the audience to become more involved with the plot, and emphasise the strong imagery heard in the song itself.

However, our narrative is not linear, as the main body of the narrative (the scenes that contribute to the progression of the plot) is fragmented with shots of the protagonists’ respective groups. This was in order to create suspense by reinforcing the tension between the two groups of people and building up to the climax of the story, whereby the coupe is reunited. Without these shots it may have been harder for the audience to understand why there was any separation between them in the first place.


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